PART 1: THE EYES
OF THE SKIN

      THE
HAPTIC
EYE


18 SEP - 30 DEC

The Haptic Eye is conceived as a series of online exhibitions of soft sculpture, objects, and variable materials that focus upon visual assimilations in the context of a multisensory and expanded field of artistic production. In the current post-quarantine context of social distancing and physical separation, it seems imperative to focus anew on those sensory experiences that have been diminished in the immediate pandemic situation. While the exhibition is online and optically directed, attempts have been made to generate, what Gaston Bachelard referred to “polyphony of the senses,” to acknowledge that visual aesthetic experiences come from the fact that the eye collaborates with the body and the other senses in a state of continuous interaction.

The Haptic Eye exhibitions take on a particular orientation shaped by visual sensory experiences, subtlety shifting the emphasis encompassed by the metaphor of haptic vision. Hence they will focus on immediate sensory qualities that are common to the various works presented. Each presentation will shift the emphasis around ideas of malleability, soft materials configured, or uniquely manipulated into given shapes without the effects of rupture breaking or cracking. Also pliability, the use of materials that are flexible, easily bent, elastic, and often open to a variable presentation. The works may be foldable, stackable, or accumulative in presentation, have transportability, and they are easily conveyed from location to installation.   

THE HAPTIC EYE PART 1: “The Eyes of the Skin”

The first exhibition puts the emphasis on touch and the body, soft sculpture works, or objects that have a sense of palpable tactility. Unlike soft sculpture in the expanded field as determined by late modernism in the seventies and eighties, in this instance the focus is placed on the phenomenal qualities of the works, evoking body-based ideas of the pelt, mantle, habitat, and in consequence, the increased capacities of sensory awareness are brought about by the innovative materials used by the artist.

 

 

Artists:

Shaarbek Amankul

Birgit Dieker

Sheila Hicks

Ritzi & Peter Jacobi

Marie Claire Messouma Manlanbien

Aiko Tezuka

Günter Weseler 

Magda (Vitalyos) Ziman

Curated by

Mark Gisbourne

 

Mutterkuchen – 04 (Circulation), 2019
Mutterkuchen – 04 (Circulation), 2019

AIKO TEZUKA

EUR 15,000 + VAT

Loosening Fabric #6 (Entangled)
2017
Loosening Fabric #6 (Entangled) 2017

AIKO TEZUKA

EUR 23,000 + VAT

Fragile Surface (Mutterkuchen)–2019-003
Fragile Surface (Mutterkuchen)–2019-003

AIKO TEZUKA

EUR 4,800 + VAT

Sister K, 2016
Sister K, 2016

SHEILA HICKS

 EUR 26,000 + VAT

Untitled, 2018
Untitled, 2018

SHEILA HICKS

EUR 70,000 + VAT

Small Vertical Relief, 1974/75
Small Vertical Relief, 1974/75

RITZI & PETER JACOBI

CONTACT FOR PRICE
Oval Pillow, ca. 1971/72
Oval Pillow, ca. 1971/72

RITZI & PETER JACOBI

EUR 15,000 + VAT

Red Textile Relief, 1979
Red Textile Relief, 1979

RITZI & PETER JACOBI

EUR 95,000 + VAT

Edge of Darkness, 2013
Edge of Darkness, 2013

RITZI JACOBI

EUR 38,000 + VAT

Baumstamm Überwucherung, 1973
Baumstamm Überwucherung, 1973

GÜNTER WESELER

EUR 35,000 + VAT

Having a Cup of Tea, no. 108, 1975
Having a Cup of Tea, no. 108, 1975

GÜNTER WESELER

EUR 5,500 + VAT

Rosie, 2007
Rosie, 2007

BIRGIT DIEKER

EUR 30,000 + VAT

Birgit Dieker Zwiebellook1 2017
Zwiebellook, 2017

BIRGIT DIEKER

EUR 4,200 + VAT

Hell und heil, 2015
Hell und heil, 2015

BIRGIT DIEKER

EUR 36,000 + VAT

The Sea, 1989
The Sea, 1989

MAGDA (VITALYOS) ZIMAN

EUR 14,000 + VAT

Structure, 1980
Structure, 1980

MAGDA (VITALYOS) ZIMAN

EUR 11,000 + VAT

Sun, 1989
Sun, 1989

MAGDA (VITALYOS) ZIMAN

EUR 8,000 + VAT

Taming the wild, 2020
Taming the wild, 2020

SHAARBEK AMANKUL

EUR 20,000 + VAT

Moving into the future, 2020
Moving into the future, 2020

SHAARBEK AMANKUL

EUR 20,000 + VAT

Nomad Game Kok Boru, 2020
Nomad Game Kok Boru, 2020

SHAARBEK AMANKUL

EUR 20,000 + VAT

Mater #7 Ladies’ Garden, 2016
Mater #7 Ladies’ Garden, 2016
No Name, 2017
No Name, 2017